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BLOOD BROTHERS








Photos: Mario Zapata

For two hours I was happy for two hours, the magic of Iron Maiden enveloped me, made me regress and revive feed my adolescence and young at heart that you carry inside you and you should never die. Nostalgia healthy and revitalizing my nearly 39 years. The galloping rhythms, mystical and captivating epic Iron Maiden will always feed the spirit.
In 2009 it was at the National Stadium last night was at the stadium in San Marcos. The room was a little big. In the best case 20 000 persons far from the 33 thousand who were the first time. Weeks before and it was clear that there was the madness that erupted two years ago. Little press coverage, little publicity in the streets and on TV (except for the last few days at the low ticket sales) and dim expectation in the forums, on the streets. Arriving two hours prior to the vicinity of San Marcos was almost desolate landscape. There were no queues or crowds or euphoria.
Last night was a real thermometer to know how is the Peruvian fan of the 'Beast', the heavy metal. Although we can explain the low attendance by the avalanche of international concerts (Accept, UDO, Helloween, Ozzy, Motorhead, among others). It is clear that the best wallet enough to go all out and the metalhead should be more selective. Another explanation is that the show was different from that of 2009 (which were based on the classic golden age), because last night was based on his latest album The Final Frontier (5) and some issues of Brave New World (2 ), Dance of the Death (1), Seventh are ... (1), but there were the classics (7).
The sound was more powerful than two years ago, but swing on many occasions. The giant screens were not not very good resolution (especially for those who went to the rostrum popular), although delivery of the band on stage was total and supplied anything above. ENGLISH TIME
. They started on time. Minutes before 9:00 pm began the long intro Doctor, Doctor and UFO video, a character from The Final Frontier. Satellite launched with 15 ... The Final Frontier and El Dorado of his latest album. The stage was fitted out as a sort of background spaceport and a sea of \u200b\u200bstars, which varied between subjects. The vitality of Bruce Dickinson did not wait and ran around with simian movements, getting the public to the pocket with phrases like: "This is our home. This will not be our last time in Peru, you are special fans. "
Steve Harris was given a more than in 2009 (would have been in poor health at that time) Murray and Smith squandered sobriety and quality as always, while Gers, put the share of humor playing with Eddy.
2 minutes to midnight began to get people excited. Again two new songs with The Talisman and Coming Home and then the mystic Dance of Death. After a small problem with the battery, attacked with The Trooper, a song that ended up loosing the euphoria of the people. Followed by The Wicker Man and Blood Brothers, one of the most emotional moments of the night for the dedication of Dickinson. The vocalist reminded his fans in Japan who suffered an earthquake and tsunami just on the eve of concerts to perform in China Maiden. One issue that breaks down racial barriers, cultural, social and economic, and passion for this music brings them together, like blood brothers, as brothers of metal.
few drops began to fall from the sky, but could not extinguish the fire of the fans. The beautiful When the wild wind blows was the perfect preamble to three classic chanted with passion: The Evil That Men Do, Fear Of The Dark, Iron Maiden, where fans of all generations embraced and enjoyed to the fullest.
After a brief pause, the perfect end: The Number of the Beast, Hallowed be thy name, and Running Free.
bad choice. At 7.40 went to the National Counter scene, banda hybrid that blends metal, hardcore, punk and bun. I must admit that their guitarists (Parra and Mendez) have a very good technical level as the drummer (Vinatea), but the style has little or nothing to do with Iron Maiden and their fans. Although Parra and strove Vinatea by themselves, the public does not support them. At first some bottles fell on the stage and then a warm shit from the stands outside the east, but that takes nothing away from the presentation of the band, whose lead singer is not tired of repeating: ¨ Counter for what they like and for they do not like. " The next time the organizers should get advice and have a better criterion for choosing the support band. There are several Peruvian metal bands that deserved to be there such as Armageddon and Cobra to name a few.

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Armageddon and charge forward songs from their first studio CD

Two different generations, a single sentiment: the heavy metal. Armageddon, band in the late 80s led by the unending Victor 'Wolf' Guizado, us never say never, subject of his first studio CD will be released soon.
COBRA, born in 2005, is considered the best band of traditional HM today. This young hopeful announces the next edition of his first CD Lethal Strike and the issue that confronts us is White chapel.

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STIGMA was 1.999 and had completed pre-production Revenge of the CD, which would catapult, undoubtedly, to a higher level in its vertiginous and promising career. But the unthinkable happened. Problems with the soundman who was recording the album, with the manager, and etc, ended in an agony of almost two years, until the Goths quintet, Gustavo Garcia (vocals), Jouvet Wash (bass), Goyo Rojas (guitar ), Lucho Quintana (guitar) and Paul Pinto (drums) - decided to end the band.
Before, everything was in ascending order. Since its formation in 1993, many concerts like those organized by the Pacific Group, the steel I and II, Thrash Attack in Barranco, the Metal Magic, opening for the animal in Salonazo and Ecuador tour, had shown that stigma was the Peruvian thrash band that had more promise and activity. His music exuded strength but also technical and sentiment.
in 1997, was released by The Bloodstained god Black Leather Records, cassette format, and then Deif Chile Records, in CD format. His first production received rave reviews, generating envy in certain sectors of the national scene. Even some fans tried to create a sort of competition with MORTEM, which was unfounded, because the styles were different and the members of both bands had a cordial, even friendly amount.
topics as 'Hatredland', 'Sordid Tale' and 'Hellgarden' became classics chanted furiously for bangers at concerts. Unfortunately, 2002 would mark his farewell to the stage. His self-styled thrash heavy death was silent for a few years. In 2006, there was a fleeting return, playing at the Metal Raymi Yawar on a date in Arequipa. The quintet was the same, except for the guitarist Jorge Pintado (Bleed of Hate) instead of Lucho.
After many rumors, STIGMA announced his return a few days ago. This time the experienced guitarist Manuel Rodriguez (ex-Armageddon, Trauma, Sepulchre, necropsy, etc) completes the quintet, which threatens to finally edit and participate REVENGE actively in the local scene. We will be watching.

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POETIC OF THE BEACH TUESDAY: MARCH 8, INTERNATIONAL WOMEN'S DAY Tuesday

In a truly exceptional evening, Tuesday March 8 at 21:30 hrs., The Bar La Playa (Cochrane 567, Valparaiso) invites you to celebrate the International Women's Day with a memorable reading:

- Hidalgo Camila, a young poet of Quilpué.

- Karen Devia, poet, music and performance. He has published offal (Valparaiso: Ed The cafile, 2003) and Writings of Guilt (Valparaiso: Ed Porto Alegre, 2009). Top has been anthologized in national and international journals.

- Priscilla Cajal, poet. He has published Termites (Santiago: Ed La Calabaza del Diablo, 2009), and has been anthologized in major selections and poetry magazines in the country.

- Ximena Rivera, poet. One of the essential references in the last twenty years of poetry in Valparaiso. His work has been published in Women poets of the Coast (Breviary, Valparaiso, Valparaiso University, 1996), Delusions or gesture Responder (Valparaiso: Valparaiso Regional Government, 2001), 18 Poemas de Agua (Santiago: Ediciones for Oblivion 2005) and one night in the landscape (Valparaiso: Ed Cataclysm, 2006). 2010, published wooden bridge (Santiago, Balmaceda Arte Joven, 2010) poems in the same volume is rewritten by 13 young poets from the region.

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Poetic Bar Beach, Valparaiso

This March 1, at 21:30 we continue our cycle, with all the rage! Our program:

- Pia Sommer

- Rene Silva Catalán (San Bernardo)

- Eduardo Leyton (from Curico)

- Cristian Condemarzo (from conception)

For program details, please visit our website: http://poesiabarlaplaya. blogspot.com /

Entry $ 500, with a glass of wine to get in the mood. The

Tuesday's readings on the beach is not open mic, but there is no restriction for anyone who wants to be included in the annual program.

Punctuality and willingness to poisoning of verses.

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STIGMA Revenge of necropsy in Chile and Argentina in Lima PESTILENCE




Making History. With 22 years behind necropsy will be the first Peruvian group opening for an international group outside Peru. The band led by Cesar Moran (bass) and Gustavo Bermudez (vocals / guitar) will perform in Chile and Argentina with UDO May 3 will do in Lima on May 4 in Santiago de Chile and Buenos Aires 6. Before his international tour, sharing the stage with FORBIDDEN necropsy on 31 March in Lima.

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UDO








The Dutch death metal band Pestilence technical captivated sparse crowd (200 people approx.) That went to the Ravine Bar on 11 February. Mario Zapata with his lens captured the best of the evening.

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PSICORRAGIA presents the art of their 7 "EP Satire Macabre



The Peruvian band death / doom metal PSICORRAGIA presents the art of their upcoming 7 "EP MACABRE SATIRE designed by Nimer Gómez (guitarist Evildamn) which goes on sale in mid-March by Neuralgia Records. The A side has two tracks, 'Satire Macabre "and" From Excess to Hell', while the B side, 'The Order of Chaos. " The production marks the debut of David 'Teo' Sucheras on drums (Epilepsy) before the departure of Daniel Ladrón de Guevara.
Contacts: http://www.neuralgiarecords.com/ and http://www.myspace.com/psicorragia

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Continue reading unstoppable cycle of Bar La Playa, 15 February, 21:30 hrs. SHORE

continue on Tuesday 15 February, with the irrepressible of poetry readings at Bar Beach! The guests are:

- Juan Carlos Urtaza (from Santiago)

- Jaime Pinos

- Jaime Retamales (from La Serena)

At 21:30 hrs.!
symbolic entry of 500 pesos, includes a glass of wine ...!
are waiting!

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CONCERT FOR A GOOD CAUSE CHASKA



On Saturday Feb. 26 charity concert will be held to help Metal Union Georgy Spirit Kranium keyboardist, who is in failing health. The appointment is in the Imperial Hall (Jr. Caillon 824 - Lima) from 8 pm. Be submitted: Armageddon, Arsenal, Kranium, Epilepsy, Yawarhiem, Oppressor, necropsy, Piranha, Draken, among other bands. Collaboration: 10 soles.

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CONCERNED, Anthology of Contemporary Poetry Valparaiso

Bored environment of neglect, this link will , the anthology (which a few dogs vilified sewer few years ago). Since these animals know it through a filter of one kind of pack that served as editor, is now well known that human beings. Enjoy!

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READING MONTH IN THE BEACH BAR-February 8, 21:30 pm TUESDAY POETRY

This February 8, at 21:30 we continue our cycle, already serving a month of readings, making back to the poetry of it should never have left (and where ever left). Our program:

- Margarita Bustos

- Marjorie Mardoñez

- Rosa Alcayaga Toro

- Katharine Allen Kai

And apréstense to surprise!

Entry $ 500, with a glass of wine to get in the mood.

readings Tuesday at the beach is not open mic, but there are no restrictions for those wishing to be included in the annual program.

Punctuality and willingness to poisoning of verses.

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'Pururauca' (Mythic Metal)



I know this album came out in 2009, but this blog is not worth firsts and-long-review. Without fear of contradiction, this group is the best thing Arequipa has given birth to Peru in the last decade and his album 'Pururauca' is confirmed.
While his music has been labeled a folk metal, this is much broader, because you nuances death, thrash, heavy, doom, progressive, and of course, folk.
The CD starts in a landslide with 'bicolour Cannibalism. " Paul Pinto becomes a powerful machine-by the way is one of the best drummers in metal-Peruvian overwhelming rate that suddenly broken by a folk arrangement for unleashing a soaring and captivating that you hooked until the end. The game must-wrenching vocals and deep, and the nuances and breaks are a versatile group of Chaska and captivating. The balance between the brutal, melodic and mystical is perfect.
Butt with 'A Flower Brought me down' (A flower made me fall), with a more intimate feeling, but with a good dose of brutality. Alonso Carlo Raffo (vocals / guitar) has shown that four types of voices (one death, one black, one thrasher and clean) and there is no room for monotony.
the wake of the luminous star-Chaska in Quechua, you still wrapping 'Night Calls' (The Call of the Night) and 'Nymph of the Lake', nostalgic melodies, melancholy, evocative and mysterious.
The beautiful instrumental 'Achuma', Quechua and Aymara word meaning giant cactus (San Pedro), gives a break to record with some progressive and experimental air, although the subject has its vent.
'Pictures', is full of nuances and contrasts, heartbreaking and beautiful at the same time, while Tuta Ch'aska is more evocative. Keep 'Silent notes of agony' (Silent shouts of agony), ring 'maidenescas' but Chaska led style are combined with folk mysticism and the power of death.
With 'Katari' (snake) becomes calm. It is a beautiful and seductive instrumental strings, bagpipe, flutes and Peruvian cajon.
closes the album 'Pururauca', a song that tells the Inca legend about the battle of Yahuarpampa (plain blood in Quechua), when the stones become warriors and they manage to overcome the powerful Inca Chanca army in 1438. It is the only song sung in Castilian and almost 15 minutes of majesty, strength and mysticism.
In 1999, planted the seed Kranium folk metal in Peru, in the region, with his masterful and innovative CD 'Testimonials'. Chaska, 10 years later with its own personality, took that legacy, like it or not, and has led him to another level in terms of technique, composition and hardness.
note is the work of Spirit Myth (Mythic Metal) has published a very good form this material, must for all lovers of 'metal Peruvian. "
Hopefully this star continue to shine for many years and continue giving us more albums like this (or similar).
Contacts:
Chaska: tuta_chaska@hotmail.com - www.myspace.com / tutachaska
Mythic Metal Productions & Distributions: mythicmetal@hotmail.com - www.myspace.com / mythicmetalprods

Spectrobe Planete Meido

, BAR BEACH, FEBRUARY 1

At 21:30 hours we continued our cycle, after two successful days. Our program:

-

Diego Bulnes - Cristóbal Soto Calistro

- Álvaro Báez
Entry
$ 500 with a glass of wine to get in the mood.

readings Tuesday at the beach is not open mic, but there are no restrictions for those wishing to be included in the annual program.

Punctuality and willingness to poisoning of verses.

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TUESDAY, JANUARY 25: Second session Poetic Tuesday at Bar Beach


On Tuesday 25 at 21:30 hours we continued our cycle, after a successful day 18. Our program:

- Dennis Palacios

- Patricia Monroe

- Juan Antonio Huesbe

- Alejandro Banda

Entry $ 500, with a glass of wine to get in the mood.

Tuesday's readings in the beach is not open mic: but there is no restriction for anyone who wants to be included in the annual program.

Punctuality and willingness to poisoning of verses.

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BEACH BAR POETRY TUESDAY Valparaiso, since 18 January, 21:30 hrs.

starts new phase of the cycle most poetic poetry readings around the world and, at Bar Beach, Cochrane 567, Valparaíso .-

Leen:

- Paul Maire

- John Cameron

- Bernardo Colipa

Entry $ 500, with a glass of wine Sign in mind.

readings Tuesday at the beach is not open mic, but there are no restrictions for those wishing to be included in the annual program. More information

http://poesiabarlaplaya.blogspot.com/

Punctuality and willingness to poisoning of verses.

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Inevitable! TUESDAY, VINA DEL MAR ROOM, 19:00 "NEW THINGS" by Ennio Moltedo

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25 years of Hades



December 1986. It was the second year of the first government of Alan 'Damian' Garcia, when dirty, gray streets of Lima gave birth to Hades, the warriors of death. The trio composed Rafo damn 'junk' (bass / vocals), Armando 'Mutant' (guitar) and Tonin 'Destructor' (drums) distilled a corrosive and primitive death metal. Formed shortly after he joined John 'Aggressor' (John Capcha Tineo) in place of Armando, old mate and Rafo Toñín battle in FOG (1983).
time later, the hosts death Kike recruited an 'Satan Cumshots' instead of Rafo, with whom they recorded a 3-reharsal tracks called "Warriors of Death" in 1988. In November of that year, a street and luxurious beast called Ron King would take the grunts and the inclusion of Chris 'Death' (Carlos Sanchez) on bass, Hades became a powerful and controversial quartet that would create two of its acclaimed demos: Altar of Sacrifice (1989) and Hades Attack (1990). Topics such as Sodom and Gomorrah and Passport to Hell (based on the novel The Sixth José María Arguedas), Caligula and the Goddess of the underworld would become classics for 'mutants' Lima Center and cones.
His music crosses borders through the charting and tape traders, becoming known in South America and Europe. Appeared in several national and international fanzines, making clear that the blood carried in the old school style Brazilian (Sarcophagus, Vulcan and Sepultura) combined with thrash rhythms in the vein of Sodom and Kreator and Dark Venom and Celtic Frost .
were given contacts with international companies like Wild Rag Records and the Norwegian label Death Like Silence of Oystein Aarseth, aka Euronymous, Mayhem's guitarist. With the first failed to reach an agreement with Euronymous while everything is frustrated by his death in August 1993 by Varg Vikernes.
In 1991, with new members, Daniel Bautista 'Demolition' (drums) and Abel Ferreyros 'Sedition' (bass) - released a cassette compilation Hadez Extreme badness on the world
In May 1993, would the long-awaited debut CD, Coven by Brutal Records, the first edited by a Peruvian band of metal. I used to thrash death doom added parts, the influence of Edgar 'Noize' Umeres the new vocalist and bassist.
The CD was presented in July at a festival in the bandshell of the Champ de Mars beside Sarcophagus (Brazil), Torturer (Chile), Kobalt (Argentina) and Mortem. Public response was not the best. The old saying, nobody is prophet in his land as a prophecy fulfilled. The following year, shared the stage with Immolation (USA) and Mortem.
After some problems with Edgar, who went to Europe thanks to an invitation he received to the band, Hades came in the silence of 2 years. John Capcha, leader and main songwriter for the band, decided to move away from 'under' disappointed by the treachery of Umeres.
But Capcha has gotten into the soul 'music worm' and, as a natural leader of Hades, he returned the way with new and old warriors. He returned to find Ron King and began testing. In the midst of recording, 'little beast' re doing some tricks on the fly Capcha have to resort to an old friend, Jose Moron-better known as 'Bacteria' Ennui-vocalist of God to record vocals. The second CD Even if you die a Thousand Times sees the light in 2000 by the label Warriors Capcha death. In a second edition (2001), changed the cover-the first was the sacred mantle, and suffer a slight variation on the name Even if you die a Thousand Deaths. The criticism is not all good, especially the angry voice and magpie 'Bacteria' do not fit into the cold, dark sound of the band.
Nevertheless, Hades continued. Austral Holocaust Productions published in their demo CD Altar of Sacrifice and Hadez Attack (Damnations from the past) in 2001 and 2005 ... From the Graves, which brings reharsal items Warriors of Death, live tracks from the Carpenters' Guild demo 1990 and Extreme Badness of the World.
In 2008, Hades again make history, editing the first DVD of a Peruvian Metal Band: Ready to Suffer ... Hadez Attack Again! , Which also comes in CD.
In 2009, they released their third album Doomsday: The Death Rides with Luis Guillén 'Scharack' (Nahual, Aquam Igni, Mental Alteration) on vocals by Cold Blood Records. In 2010, the EP sees the light The Path of The Ossuary Devilish Possession by Kill Yourself Productions.
In recent years, Hades shared the stage with bands like the Inquisition (2002), Agathocles (2007), Nargaroth (2009), Malevolent Creation (2009), among others.
Apart from his musical legacy, John Capcha and company ever bothered to organize concerts and give space to new bands. Although Hades was sidelined by the 'rings' of yesteryear, this living legend Peruvian metal always contributed to the 'scene' local.
And the legend continues ... This January 29 Hadez perform a concert to celebrate its first 25 years of life and death. The appointment is in the Imperial Hall (Cailloma 824-Lima) and bands are invited to Colombia Lucifera and antemortem and national Nahual, INRI, Blacker, God Ennui, and Diabolous666 Putrid. Tickets for the concert are on sale at: Pentagram Records: Galleries Brazilian 29-B second floor - Jesus Maria. For more information, call 992-731011 (Elvis Florentini) or write or Luis Guillén pentagramrecs@hotmail.com eflorentini@hotmail.com

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CRACK UP, Jaime Retamales: the openness of a pebble at the ruin of the world

helpless Given the reassurance or acceptance of what exists-feature general of narrative fiction, "the certainty that we live lives permanently in the absence of something is one of the foundations of what it calls a poetic emotion. So paradoxically, even the absolute uncertainty that surrounds the poem missing a characteristic dimension that even the layman recognized within the always vague and inexplicable definition of poetry. Crack up
(Santiago: La Calabaza del Diablo Books, 2010), fifth book of James Retamales (Santiago, 1958), confirms him as the cultivator of a poetic decided that this side of dazzling formal or truth claims, company making the impossible privilege to portray a state of mind in which the feeling of freedom is central. Rather than something that is missing in his surroundings, here ends this lack constitute the same speaker, it suffers from the haunting nostalgia that is in the finding of the passage of time or in the romantic story ends up taking him to a knowledge essential to a poetic truth. Thus, the poem BREAKING:

give me back my useless objects

my eyes and the street was a poem memorable Massino
and Truffaut The four strokes of all my useless objects


is an issue that escapes the
hands and one that is fired!

Each of these absences and nostalgia mask a dimension that only poetry seems to be able to account. Thus, in the romantic song with variations, from the beginning, reveals the absolute awareness of the inadequacy of the means at hand of the speaker, with an emotion that goes far beyond the breaking story of a love:

is that one does not
should pronounce unknown words
to the representation of a world gone

your wounded eyes tired cheeks begin to overflow


and wheels for the city of red night under the powerful influence
Voodoo
days night and day and night on the crunchy leaves


killed a woman is not a real man is not all
can not be rolled to the feet of others (...)



This town red at night suggests a permanent locus within the poetics of space Retamales-destructive bohemian section, which requires night-time privilege. This time, there is no real productivity and personal desire banishes all other possible ethics goes far beyond the figure of an eternal present, is also given as extra room for nostalgia, and the poem RESONANCE NIGHT .

then hung Vanity

effortlessly rose
successive daily trials shrapnel from a night

resonance gaps and fatal
trampolines which vibrate in a thin veil of smoke illicit plagiarizing in an arc

pure caricature of a kind description

life believing our feet
supposed to lose like nothing foolish to the disaster



That time, though unspecified, marked by a bottomless courage and self-neglect, is one of the strongest brands in the Retamales poetics that is a strong follower: I mean that consciousness scriptural born in the midst of vigorous scene interwar capitalism in the literature in English, Lost Generation, whose main features are then read on the film and the novel called Black, the Beat writers like Raymond Carver and JD Salinger. This scriptural consciousness, starting from the assumption of the defense of a certain realism of simple intellectual development, is able to consider the mission of presenting the void radical social system in which everything has fallen prey to a quantifier and dramatic flow, focusing on the individual who usually takes the central role, and fully and openly represents the narrator's perspective, this burden marginal and aware of one who robs or ruined with some violence, the veil mystifying to see the absolute destruction of human possibility, and therefore of himself. The footprint of this moment in the history of mass culture, because it is strongly in this area, through much of the Chilean literary production in the late 80's as a reaction to the defense of some community or social idealism in what remained of intellectuals and artists involved, much more naive and simple to develop intellectually that would effectively militancy, or what it meant to refer straight to the collapse of collective utopias. Broom can be located within this locus raised from this new romance of an individual conscious in the heart of society of alienation and the show, and from this perspective to an index on the situation of the designer and the scope and meaning of his action which other authors, both contemporary and present, have only been solved in a solipsism which leads to the complacency.
(For examples of this narrative excel in both the empty and simplistic claim to truth or Marcelo Lillo Marcelo Mellado, as the mechanics of policy implementation Roberto Ampuero, that only end up generating machines for self-advertisement calling itself a vague and distorted privilege ethics. In the case of poetry, internal criticism which the poetic force generated from the 80 works so far makes accessing this new kind of romance can not stop showing the fissure that is, what they do enter the text for the necessary presence of others: the ethics (eg., Diego Maquieira).)
The possible breakdown of this solipsism is presented in Crack up completely obvious: the poem can not stop and reposition placed about the life around him and feeding. The poem itself appears in several of these texts, showing their power to interact and define the place and the intention of the speaker:

the poem points us slightly
that builds us


unknowingly move some things hidden details
attention to your eyes go

(NOS POINTS A POEM)

people are themselves masters of all poets
but not write a fucking verse

fall apart and assembled when needed
throwing their lives to life:
imperfect and unnecessary kind.

(of people self-possessed)

somehow we got here
not know when but it happens to sink the nose

not a poem or book
but life is everywhere

(frag. of IN ANY WAY TO GET HERE)

From this awareness, the approach of gesture-determined and even violent, as necessary to overcome a self-sufficiency be able to involve your self-splicing occurs from the epigraph itself, Eugenio Montale, and is reiterated throughout the poetry found in the book. The apparent crisis that occurs between the need of this strong will and the obvious helplessness and loneliness of the speaker (the imminent crack-up referred pain from the title and the poem of the same name) is, in this sense, the foundation for a more poetic dense than the simple representation of a desperate gesture or a statement absolute and sickly self. Are important in this sense, the poems relating to Cuba, that put the speaker up Crack against collective idealism and persistence of the past, defined by denial as an inhabitant caught in the situation in the ruin of the world that touches their Winter drums.
With Crack up , Retamales not only confirmed as one of the prominent voices in that vague area that the inhabitants of central Chile, lying north of Santiago, but was confirmed in one of the most difficult paths within a country grand: to present a strong personal poetics, which seeks nothing less and nothing more than account, through himself, of a universal and permanent setback in our ways of seeing the world. A small step that involves one of the biggest bets in the literature.
other hand, should acknowledge the strength that has been building a catalog of poetry books The Devil's Pumpkin, that the past few years continued to grow with new works of Gladys and Raul González Hernández, as well as the debut Priscilla Cajal Termites. Readings are always open to high-risk policy from the vindication nostalgic memory to extreme psychiatric frankly, "Books Diablo Pumpkin still represents one of the dissonant voices needed, and swearing-in of the false harmony inherited by twenty years of board policy.

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Release unpopulated new poems

A not to miss!